Monday, May 23, 2011

Introduction to Art: Complementary Color Paintings

During the beginning of the second semester students began to apply their knowledge of using value to create form to working with color.  Students learned the art and science behind mixing and matching color and applied it to completing the following painting project.  The following is some of their great work!


Clockwise from Above Right: Emily Bonello (9th Grade), Kayleigh Miilu (9th Grade), Javi Venegas (12th Grade), Tianna Borst (11th Grade)


Clockwise From Upper Left: Christine Roudebush (9th Grade), Arielle Henry-Tatum (9th Grade), Liam Johnson (9th Grade), Chelsey Kubeck (9th Grade)

Introduction to Art: Linoleum Cuts

Students learned about the art and History of printmaking and worked to design, cut and print a landscape image of their own.  For the project students were challenged to create a sense of space using perspective, texutre, and value.  Two of the prints from this project were in the Holland Area Arts Council Show! The students did an outstanding job!

Clockwise from Upper Left: Caitlin Crum (9th grade), Zach Cheung (9th Grade), Jazz Borst (12th Grade), and Fabien Perez (9th Grade)


Clockwise from Upper Left: Emily Bonello (9th Grade), Chelsey Kubeck (9th Grade), Arielle Henry-Tatum (9th Grade), Tanner Burns (9th Grade)

Exploring Social Issues in Sculpture; Students Deconstruct and Reconstruct Wooden Chairs While Commenting on Social Issues

The Art Department, as a whole has been working throughout the year to implement a visual arts curriculum focused on developing student's abilities to critically think about art making and the importance of meaning and concept behind creating work. Students have spent time exploring artists who used their work as a platform for commenting on social issues throughout the world.  This particular project was this class's first introduction to this practice.  Students learned about artists such as Carrie Mae Weems,  Doris Salcedo and William Kentridge, whose work is as much appealing and successful for its' visual qualities as it is for it's conceptual qualities.  The students had a great time working with this medium.  More importantly, students were forced to critically think about their particular social issue and reflect on what particular aspect of this issue they were drawn to and then solve the problem of how to communicate these thoughts visually with their structures.  Here are some of the results.

The following summaries were based off of the students artist statements that were submitted with their final sculpture
Upper Left - Zach Burlingame (12th grade) focused on Energy Consumption with the spindles of the chairs representing power lines and the wire representing the electricity moving throughout the earth, which is represented by the chair itself.  The chair is really battered to illustrate the negative effect that our current sources of energy are having on our planet.  There are also batteries drilled into the surfaces to comment on the often negligent approach to refusal of wastes from energy sources that damage the planet.
Upper Middle - Paige Mason (11th Grade)  focused on the how distorted perspectives of others and oneself can be.  She experimented a lot with broken glass to comment on how humans often identify themselves as broken and not worthy enough.  The colors shining through all the broken pieces suggest the real person trying to shine through the often distorted perspectives.  Structurally, Paige wanted to create an imperfect somewhat unbalanced composition that represented the innate uniqueness of every individual, and that we should not look or be like anyone else. 
Upper Right- Liz Pierce (11th Grade) focused on the stress and pressure placed on students to be extremely successful both academically and socially in high school.  Her chair remained somewhat perfect and intact as a whole to represent the structure and perfect expectations that are pressed on many teenagers.  She covered her chair with old torn out pages from a book to illustrate the both the numerous thoughts and amount overwhelming image of homework and studying that stresses students out.  Liz had fun with the actual seat, ripping it open to suggestion the student exploding inside.  There are also little spiral wires protruding from the seat to further illustrate this pressure bursting out from them. 
Bottom Left- Jazz Borst (12th Grade) and Brooke Koelndorfer (12th Grade)  worked together to create a sculpture about gender roles and the stereotypes women often face from the American Society.  The front black shape is the desire of a woman to be bold, powerful, strong and unique while the Pink Form with the bright red lipstick is hovering and engulfing her pressuring her to maintain the feminine "girly" appearance and attitude. 
Bottom Second from Left-  Evan Wright (11th Grade) This sculpture was constructed to represent an African Warrior fighting against the AIDS Epidemic in Africa. 
Bottom Third from Left-   Rosie Rosales (11th Grade) focused in on the idea of being shunned by others and society after making a mistake and dealing with the consequences.  This piece was inspired by a friend of hers that she saw go through this.  The final sculpture is composed on a strong tilt to represent a person's support structure crumbling or being chopped off.  She used color at the base to represent the darkness that one goes through when feeling abandoned and as you move upward from the legs of the chair the colors grow more vibrant with life representing the desire to come out of the darkness.  The seat also has a literal illustration of someone curled up on the seat of the chair which really drives home the connection between the structure and the abandoned human. 
Bottom Far Right- Alex Angerer (10th Grade) worked with exploring the true meaning and reality of experiencing life.  He used the literal form of a ladder to represent going through life and working towards the top or happiness.  Each stage or step has a lot of wear and tear which he used to illustrate the experiences and hardships many face. Gold was used to emphasize the hardships and experiences as being more valuable than the end result.

Sunday, October 31, 2010

Observational Contour Line Drawing

Introduction to Visual Arts students learned about the concept of drawing from the right side of the brain.  Students were encouraged to ignore what they already new of drawing a hand and focus in on what they were actually seeing in their hands.  The class composed to different hand gestures for their drawings and then explored value through line by creating patterns to suggest different ranges in value.  Their final drawings were then inked with natural bamboo ink pens.


Exploring Graphic Design in Three Dimensions

The Introduction to Graphic Design class explored the work of the iconic graphic designer Stefan Sagmeister.  Sagmeister has blurred the line between fine art and graphic art, creating a body of work that serves a deeper cause outside of marketing and consumerism.  The students responded to his work by creating word sculptures focused on conveying an inspiring and somewhat humanitarian message.  The students were encouraged to draw connections from their message to the materials used, the typography and the place they chose to install their sculpture at Black River. 







Introduction to Art: Surreal Clay Sculptures

Students in Introduction to Visual Arts learned basic clay techniques and properties while exploring the artists and work of the Surrealist movement.  The students created hollow forms using white earthenware clay.  The forms were finished with acrylic paint and then spray lacquered.  The class did an exceptional job planning and executing their ideas. 




Introduction to Graphic Design: Using Text to Explore Elements and Principles

The Introduction to Graphic Design class began the year learning about the elements and principles of design and completed a geometric composition exploring these design elements using text as texture.  The students did an outstanding job creating really dynamic compositions that show a strong amount of depth and movement.